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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Eileen Dunne in The Hospital for Sick Children, 1940
	 by Cecil Beaton

Cecil Beaton

Portraits
Previous exhibition, 2005

Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.

Decorative portrait – Len Lye, c.1925 by Rayner Hoff (1894-1937)

Presence and Absence

Portrait Sculpture in Australia
Previous exhibition, 2003

This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day

London, 1952 by Bill Brandt

Bill Brandt

A Retrospective
Previous exhibition, 2002

From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London.

Maggie

Maggie Beer

In Gallery One
Previous exhibition, 2023

Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.

Ian Thorpe

Contemporary Australian Portraits

Previous exhibition, 2002

Contemporary Australian Portraits is a cross section, a sampling, of some of the present-day directions in Australian portrait practice

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

The Joy Of Life, 2002 by Janelle McKay

Headspace 3

Being Me
Previous exhibition, 2002

The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human

Angela Belgiorno-Zegna, 2001 by Salvatore Zofrea

Intimate Portraits

Previous exhibition, 2002

Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture

Checkered Past, 2003 by Alex Epoff

Headspace 4

Facing Memory
Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Spencer 2016, by Warwick Baker

Tough & Tender

Previous exhibition, 2016

Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia
Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

Battye Blue, 2005 by Phoenix Battye

Headspace 6

Who Am I?
Previous exhibition, 2005

The sixth in the National Portrait Gallery’s series of student exhibitions, will feature 200 portrait artworks, both two and three-dimensional, from secondary school students from across Australia

Ian Thorpe

Collection: Icons

Volume Two
Previous exhibition, 2018

The second instalment of a display featuring bold contemporary portraits drawn from the collection. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.

Self-portrait, 1981 Robert Mappelthorpe

The Possibilities of Portraiture

Previous exhibition, 1999

What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.

Layne Beachley

Collection: Icons

Volume One
Previous exhibition, 2018

When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.

Mel Gibson

POL

Portrait of a Generation
Previous exhibition, 2003

POL was a magazine that ran from 1969 to 1986

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency